Critical superlatives and audience ovations have continuously followed Yuja Wang’s dazzling career. 2019-2020 Season highlights include Yuja’s year-long “Artist Spotlight” at the Barbican Centre, where she curates and performs in four distinct events: the first London performance of John Adams’ newest piano concerto (premiered by her in Spring 2019) titled “Must the Devil Have All the Good Tunes?” with the Los Angeles Philharmonic and Maestro Gustavo Dudamel, which they take to Boston and New York City; recitals featuring cellist Gautier Capuçon and clarinetist Andreas Ottensamer; and she concludes the residency with a solo recital.
In autumn of 2019, she toured China with the Wiener Philharmoniker, presenting concerts in Macao, Guangzhou, Shanghai, and Wuhan. The beginning of 2020 saw Yuja and Gautier Capuçon reuniting for a recital tour featuring eleven dates presented in Europe’s premier venues, including the Philharmonie de Paris and the Wiener Konzerthaus. She then embarked on an extensive solo recital tour, appearing in renowned concert halls throughout North America and Europe, including Carnegie Hall, Davies Symphony Hall, and the Het Concertgebouw, running from February to April.
Yuja received advanced training in Canada and at Philadelphia’s Curtis Institute of Music under Gary Graffman. Her international breakthrough came in 2007 when she replaced Martha Argerich as soloist with the Boston Symphony Orchestra. She later signed an exclusive contract with Deutsche Grammophon and has since established her place among the world’s leading artists, with a succession of critically acclaimed performances and recordings.